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Tom Jones (PHIL STEED)
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THE ULTIMATE TRIBUTE TO TOM JONES-
THE TOM JONES EXPERIENCE


It's Not Unusual, Green Green Grass of Home, Delilah, Help Yourself, Love Me Tonight, I'll Never Fall In Love Again, What's New Pussycat, Thunderball, I Who Have Nothing, Kiss, A Boy From Nowhere, Leave Your Hat On etc.


PERFORMED AT SHOWCALL SHOWCASE:
"Hailing from the same town as Tom Jones, Pontypridd, Phil Steed makes no attempt to disguise his admiration for the star. Steed matches him for voice and energy, this short set finishing with a massively well delivered Thunderball."
PETER HEPPLE - THE STAGE


Thomas Woodward went around the same South Wales Clubs as a very young Phil Steed before he made it, and Phil met up with Tom several times on the South Wales Working Mens' Club Circuit. On one occasion Tom got up to give a song with Phil's group, The Senatones who at the same time used to get mixed up with Tom's group, The Senators.


From the same home town as Tom, Phil captures 'The Tom Jones Experience' as only a fellow Welshman can, featuring as big and powerful voice as the man himself.
Phil has sung all over the world with his tribute show, bringing the house down always.
Although not purporting to be an absolute clone of Tom (which is a silly notion some people have about tribute acts) what you get is the best 'Tom Jones Tribute Act' on the market with regard to the voice and atmosphere created.


As Tom himself said in his autobiography, "You had to be a really good singer to get paid in Wales because there were so many good singers around who would sing for a pint of beer", as Tom himself did before being asked to stand in one night for the Senators lead singer who was tied up playing cards in a local club. Tom said yes as long as they would supply a crate of beer for the dressing room of the local YMCA. After all, Friday night in Wales is beer night.


He struggled with the rest of us for a few years before Gordon Mills was asked to go and see him in a local club. Gordon eventually let him record 'It's not Unusual', which he'd written for Sandy Shaw. The rest is history...




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